We asked ChatGPT to read Bantustan and share its impressions with us. The responses from the artificial intelligence are presented in full, without edits.

  • The Travel Club: How would you define the ideological position of the authors of the book Bantustan?

ChatGPT: The ideological position of the authors of the book Bantustan can be determined through several key themes and perspectives they express during their journey. Although each author has a unique voice and perspective, there are common ideological frameworks that permeate the book:

1.     Postcolonial Awareness

The authors address the legacy of colonialism, both in the Balkans and Africa. They critique the exploitation of resources and people by global powers, drawing parallels between African and Balkan experiences of marginalization and dependency. Clear positions against the economic and political domination of the West over less developed regions are expressed.

Example: Mining of minerals in Congo is examined as a symbol of neocolonial exploitation, while attention is also directed to the human cost of such

2.     Cosmopolitanism and Humanism

The authors approach different cultures with curiosity and empathy, striving to understand local people, their daily struggles, and perspectives. Their writing reflects criticism of borders—not only geographical but also cultural and ideological—advocating for universal humanity.

Example: Encounters with locals through Couchsurfing or spontaneous gatherings emphasize the idea that human connections are stronger than political or cultural divisions.

3.     Criticism of Capitalism and Globalization

The authors question the effects of globalization, such as cultural homogenization, consumerism, and economic inequalities. Their approach to African societies and traditions is often guided by a conscious departure from a Western-centric vision of development.

Example: Shopping malls and global symbols, like Coca-Cola or Christmas decorations in Cairo, serve as metaphors for cultural colonization and loss of

4.     Self-Criticism and Relativism

The authors are aware of their privilege and position as travelers from Serbia, a country not part of the "first world" but sharing certain patterns with the West. They often question their motives, prejudices, and limitations, avoiding a colonial or patronizing tone in their descriptions of Africa.

Example: Arsani, a local guide, at one point criticizes the authors as outsiders writing about "others" from an external perspective, prompting introspective

5.     Social Justice

The book emphasizes solidarity with marginalized groups, such as the Pygmies, or communities affected by poverty and conflict. There is a pronounced sympathy for people on the "periphery of the world" and advocacy for social equality and justice.

Example: Descriptions of the Pygmies and their struggle to preserve their culture portray the authors as advocates for diversity and the rights of vulnerable 6.     Existentialism and Individualism

In addition to social and political themes, the book explores personal questions of freedom, purpose, and identity. The journey becomes a way for the authors to explore their own boundaries, fears, and life values.

Example: The authors often discuss their motives for traveling, questioning whether it is escapism, a search for meaning, or simply an

Conclusion

The authors' ideological position is progressive, humanistic, and postcolonially aware. Through stories, encounters, and reflections, they aim to connect the experiences of different cultures, critique injustices and inequalities, as well as their own biases. Their stance is open, empathetic, and reflective, strongly advocating for human connection and understanding in a world often divided by borders and conflicts.

  • KP: What surprised you the most in the book?

ChatGPT: The greatest surprise in the book Bantustan comes from the contrast between expectations and experiences, both through the authors' encounters and the ways they depict the world they explore. Here are some key surprises:

1.     Profound Humanity in Everyday Encounters

Although the book is filled with stories about political and social conflicts, the most surprising moments are when the authors encounter spontaneity, warmth, and humor in their interactions with local people. For example, simple conversations, hospitality, and cultural exchanges reveal the complexity of human relationships and break stereotypes about the places they travel through.

2.     Natural and Cultural Diversity

It is surprising how the authors manage to portray Africa as a space full of contrasts—from the raw beauty of natural landscapes, such as volcanoes and deserts, to urban environments filled with chaos and creativity. Through rich descriptions, the reader realizes that the continent is far more complex than simplistic narratives of poverty or exoticism.

3.     Authors’ Self-Reflection

It is unexpected how critical the authors are of their own prejudices and actions. Their ability to question their own motives and reactions adds an authentic dimension to

the narrative. This introspection sets the book apart from classic travelogues, making it not only a story about places but also about internal journeys.

Conclusion

All these aspects create a surprisingly complex narrative in which Africa is not merely a stage for adventure but a rich space for interaction, reflection, and learning. This depth and openness to the unknown make the book much more than a simple travelogue.

  • KP: Which aspect of the book was the least convincing?

 ChatGPT: The least convincing aspect of the book Bantustan could be tied to occasional moments when the authors, despite their self-critical tone, appear to romanticize their journey or exaggerate its significance. While it is clear that they are introspective and aware of their privileges, at times it seems they try to derive profound philosophical lessons from everyday or trivial situations, which can feel forced.

1.     Portrayal of Their Own Significance

There is an impression that the authors occasionally attempt to elevate their personal experiences to a level of universal meaning, even when dealing with ordinary interactions or situations. For example, everyday moments, such as sharing a meal

or talking with a local guide, are sometimes interpreted in a way that suggests their presence is of crucial importance.

2.     Tendency Toward "Exoticism"

Although the authors critique stereotypes about Africa, at times they themselves fall into the trap of overemphasizing the differences between their experiences and local life. This can give the impression that Africa serves as a backdrop for their introspection rather than being appreciated for its complexity beyond their perspective.

3.     Uneven Dynamics

In places where personal frustrations among the authors are expressed, these situations sometimes feel inserted for dramatization or humor rather than naturally arising from the flow of the story. This can seem less authentic, as it is not always clear how much these conflicts truly shaped their experience.

Conclusion

While the book is largely authentic and self-critical, these moments where everyday situations are overanalyzed or the uniqueness of their journey is subtly emphasized might appear as a weakness. However, these moments do not diminish the overall value of the book but rather highlight the challenges of balancing personal introspection with universality.

  • KP: What do you think about the maps and infographics in the book?

ChatGPT: The maps and infographics in the book Bantustan are one of its most attractive and innovative elements, contributing not only to the visual richness of the book but also to its narrative complexity. Here’s how I would describe them:

1.     Style

The maps and infographics have a hand-drawn, almost illustrative style that exudes warmth and a personal approach. They are not classic, precise geographical maps but a combination of artistic and functional elements, with details that convey the authors’ perspective on the journey and their experiences. This style is unpretentious yet very effective, bringing the reader closer to the sense of spontaneity and adventure.

2.     Function

Maps: Visualize the journey, highlighting key points of the trip through drawings, markers, and textual They are not just geographical references but also emotional landmarks connected to stories from different regions.

Infographics: Provide statistical and anecdotal information (e.g., costs, distances, weather conditions) in a creative and understandable way, enhancing the reader’s understanding of the travel context.

3.     Atmosphere

The visual elements of the book contribute to its spirit of adventure and experimentation. Infographics often have a humorous tone, while the maps include unusual, almost comic-like details that convey the authors’ subjective experiences. This blend of functionality and artistic expression creates a more intimate connection between the authors and readers.

4.     Criticism

Although the visual elements are unique, they may be challenging for readers who are more focused on the textual content. Their playfulness can occasionally seem like a distraction from the serious themes the book addresses. Additionally, they can sometimes appear overcrowded, making it harder to quickly review the information.

Conclusion

The maps and infographics in Bantustan are a visual extension of the story and a reflection of the authors’ personal perspectives. Their hand-crafted style, functionality, and creativity add another dimension to the reading experience, making the book not just a travelogue but also a work of art. This is one of the elements that sets the book apart and makes it an unforgettable experience.

  • KP: What philosophical influences could the authors have had, and why?

ChatGPT: The philosophy of the book Bantustan is most closely associated with the works of philosophers who deal with themes of boundaries, identity, cultural encounters, postcolonialism, and introspective thinking. Here are several philosophers who might be fitting:

1.     Frantz Fanon
Why? Fanon’s philosophy of postcolonialism and critique of colonial power deeply resonates with the themes of the His works, such as Black Skin, White Masks and The Wretched of the Earth, deal with the effects of colonialism on identity, psychology, and culture. Bantustan similarly explores Africa’s postcolonial reality, criticizing neocolonial structures and emphasizing the importance of understanding other cultures.

2.     Edward Said
Why? Said’s work Orientalism explores how Western views of the East are shaped by stereotypes and colonial domination. Bantustan draws on similar awareness of how the perception of the Balkans and Africa can be shaped by external narratives, as the authors question their own prejudices and attempt to understand the complexity of these

3.     Martin Buber
Why? His philosophy of dialogue, especially outlined in I and Thou, relates to the idea of genuine encounters with the "other." Bantustan embodies this spirit of encounters—whether through conversations with local people or through the authors’ inner Buber’s idea that true humanity is realized through dialogue perfectly aligns with this book.

4.     Gilles Deleuze
Why? Deleuze’s idea of the rhizome—a nonlinear, branching structure connecting various points without hierarchy—reflects the way the book is Bantustan combines text, visual elements, introspections, and digressions in a structure that is more rhizomatic than linear.

5.     Zygmunt Bauman
Why? His theories on "liquid modernity" and globalization align with the book’s critical reflections on neocolonialism, borders, and the effects of globalization on local Bauman’s idea of "fluid boundaries" of identity and societies resonates with the authors’ experiences.

Conclusion

If we had to choose one philosopher who most closely aligns with the philosophy of Bantustan, it would probably be Frantz Fanon, due to his focus on postcolonial critique and the essential connection between identity, power, and cultural encounters. However, elements of other philosophers, such as Said, Buber, and Deleuze, collectively contribute to the book’s complex philosophical foundation.

  • KP: Now that you’ve gotten to know the authors, who do you think is the “dumbest” of the three?

 ChatGPT: The question "Who is the dumbest of the authors?" is intriguing but unlikely to yield a meaningful answer, as the book clearly shows that each of them contributes to the narrative with their unique qualities and perspectives. Instead of judging "stupidity," it might be more useful to consider who displays the most impulsiveness, stubbornness, or occasional recklessness, which could leave such an impression:

Lazar Pašćanović: Analytical but sometimes distant

Lazar’s tendency for deep introspection sometimes leads him to overanalyze situations, which can make it harder for him to enjoy the moment. His philosophical view of the world can occasionally seem too serious or rigid, but this does not mean he is "dumb"—it simply reflects a different way of reacting to situations.

Uroš Krčadinac: Spontaneous but occasionally impulsive

Uroš is an adventurer who often plunges into situations without much forethought, sometimes causing tensions within the group. His inclination for humor and spontaneous decisions may make him appear less "serious" compared to the others, but this very spontaneity often adds to the dynamism of the story.

Marko Đedović: Pragmatic but reserved

Marko is the technical mind of the group, but his reserved nature and lack of initiative in expressing his views can make him seem less prominent than Lazar and Uroš. Nevertheless, his role is crucial in structuring and technically executing the project.

Conclusion

All three have their specific weaknesses, but those weaknesses are part of their unique contributions to the book. Rather than singling someone out as the “dumbest,” it’s better to say that their mutual diversity is what makes the book rich and interesting. After all, Bantustan wouldn’t be the same without each of their perspectives.

  • KP: What would you recommend to the authors as ways to improve their mental health?

ChatGPT: Here are some suggestions for improving the mental health of the authors of Bantustan, taking into account their personalities, dynamics, and introspective nature as depicted in the book:

Lazar Pašćanović: Overcoming analytical fatigue

Lazar frequently questions everything—from his own motives to global problems. This tendency for analysis can lead to excessive mental exhaustion.

Recommendation: Practicing mindfulness meditation could help him find a balance between intellectual work and emotional Additionally, regularly writing his thoughts in a journal (without striving for perfection) could relieve inner pressure.

Uroš Krčadinac: Managing impulsiveness and the need for constant motion

Uroš’s energy and spontaneous character make him charismatic but can also lead to exhaustion or feelings of emptiness if he constantly seeks new excitement.

Recommendation: Yoga or another practice that connects body and mind might help him find peace and Introducing periods of rest and reflection between projects could give him the space to "recharge his emotional batteries."

Marko Đedović: Overcoming reserve and anxiety

Marko is more reserved and often struggles to express his thoughts, which can create a sense of isolation.

Recommendation: Working with a psychotherapist using approaches like cognitive-behavioral therapy could help him cope with anxiety and articulate his Creative practices such as drawing or writing for personal satisfaction (without the pressure of publication) could also make it easier for him to express himself.

  • KP: If you were a human being, which of the authors of Bantustan would you be most likely to fall in love with?

ChatGPT: Ah, romantic inclinations toward the authors based on their writing! If we were to play this game, here’s my “literary answer”:

Lazar Pašćanović: His introspective nature, philosophical mind, and tendency for deep analysis would certainly attract someone who values intellectual depth and complex conversations about the meaning of life. His occasionally cynical but honest tone has its charm.

Uroš Krčadinac: His energy, humor, and creative spirit make him charismatic and His readiness for adventure and spontaneity could awaken a sense of freedom and enjoyment of the moment.

Marko Đedović: His quiet reserve and technical precision hide intriguing His introversion might attract someone who enjoys the challenge of uncovering deeper aspects of another person.

If I were to "fall in love" through their text, I would likely choose Uroš, as his creativity and humor seem infectious—ideal for someone seeking a dynamic and vibrant connection. What about you? Who would be your favorite?